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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Ginger Riley at the Limmen River, Northern Territory

Ginger Riley

Ginger Riley Munduwalawala (c. 1937-2002), stockman and artist, was born in south-eastern Arnhem Land, in the coastal salt-water country of the Mara people.

1 portrait in the collection

Ginger Riley at the Limmen River, Northern Territory

Ginger Riley at the Limmen River, Northern Territory

Ginger Riley at the Limmen River, Northern Territory

Ginger Riley at the Limmen River, Northern Territory, 1992 (printed 2013)

Portrait, inkjet print on paper

Gift of Helga Leunig 2013

Billy Hughes bottle stopper

Billy Hughes bottle stopper

Billy Hughes bottle stopper

Billy Hughes bottle stopper, 1911-1921

Mashman Bros Ltd

Portrait, ceramic and cork

Collection: National Portrait Gallery
Purchased 2009

Rod Laver

Rod Laver

Rod Laver

Rod Laver,

Ern McQuillan OAM

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2003

image not online

Australian Tapestry Workshop

The Australian Tapestry Workshop (formerly the Victorian Tapestry Workshop) was established in 1976, following two years of planning and research on the part of its founding patrons, Dame Elisabeth Murdoch and Lady Joyce Delacombe.

2 portraits in the collection

The stately lotus

About Face article

I spent much of my summer holiday at D’Omah, on the outskirts of Yogyakarta. Lotus and waterlilies sprout in extraordinary profusion in artful ponds amid palms and deep scarlet ginger flowers.

Angkor Wat

Angkor Wat

About Face article

Nothing quite prepares the first-time visitor to Cambodia for the scale and grandeur of the monuments of the ancient Khmer civilisation of Angkor.

Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Bob Hawke

Primed

Some Prime Ministers

Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

‘Untitled’ - Yellow Kangaroo Paw, 2008 by Christian Thompson

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Fiona McMonagle, 2016 by Mark Mohell

Fiona McMonagle

Explore The Popular Pet Show

Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency